Is Transience Absurd?
On the history of the impact of the rendering of hæbæl as vanitas
DOI:
https://doi.org/10.25788/vidbor.v1i1.1052Keywords:
vanitas, Jerome, Baroque, translation, Book of Qoheleth, history of impactAbstract
The “vanitas motif” – a defining feature of European art, cultural, literary, and philosophical history – finds its origin in the Old Testament, especially in the Book of Qoheleth. Jerome understood, similar to the underlying Hebrew hæbæl, also the rendering of vanitas as a metaphorical-dynamic conceptuality. Via the Greek Septuagint tradition, a concrete-static understanding of this motif was established, which resulted into a one-sided and exceedingly negative-pessimistic world view regarding the reception history of the associated current of thought – this pattern continues to the present day. This, however, does not do justice to neither the Hebrew nor the Latin foundation.